Silent Amplification Competition
Deep Ellum, Dallas, TX
In response to the dual programs of large and small performance
spaces, this proposal seeks to explore an architecture that is
at once a threshold condition and simultaneously an erasure of
the threshold. A threshold can be seen as a linking of distinct
entities, joined yet retaining autonomy. This condition, a marginal
area of separation, is explored through an architecture of articulated
surfaces, that at times differentiate, and at times consolidate
and collapse.
The deployment of two surfaces,
a lower, the product of carving and an upper, the result of folding,
is used to activate both the program and the site. The programmatic
requirements are satisfied through straightforward techniques,
operating within the dualisms and separations implicit in the
brief.
Each surface is intended to receive
a variety of potential organizations and activities. Scripted
onto and into the surfaces are multiple graphic and notational
systems, diagramming possible occupations and organizations. It
is not intended to choreograph (control) movement on or across
the site, but to parametrically allow for numerous potential and
often simultaneous movements and occupations. Additionally the
scripting of the upper surface at times becomes slices, creating
a projection of one notational system onto another, suggesting
the possibility of transprogammed activities. It is this structuring
of the surfaces that simultaneously allows for both multiple and
singular occupations across the entire site.
|