
How might acts of curating, authoring and ‘audiencing’ open up to the dynamic flux of participatory creative processes? How might creative practices extend beyond human agency to explore how non-human and elemental forces contribute to performative encounters?
During the SEAM2013 Symposium (Nov15-17) at Critical Path in Sydney Australia, Mick Douglas, James Oliver, and Beth Weinstein performed an unfolding, as a multi-writer/reader text, in three movements, of (I) conditioning, (II) co-creating, and (III) situating, related to research emerging from SHUTTLE.